戏曲本体,Essence Feature of Traditional Opera
1)Essence Feature of Traditional Opera戏曲本体
英文短句/例句
1.Viewing the Return of Opera Ontology from the Relying on Literature Property--On the Art Ontology of Li Yu′s Opera theory从文学属性的倚重到戏曲本体的回归——论李渔戏曲理论的艺术本体性
2.Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"戏曲剧本的文献价值与“以戏证戏”
3.Inter-Borrowings between Traditional Opera and Spoken Drama;浅析戏曲与话剧的相互借鉴——读谭霈生《戏剧本体论纲》的一点启示
4.Drama Propagation: the Development of Zhezi Opera,Short Play and Selected Sc Play;折子戏·短剧·单齣选本与戏曲传播
5.Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;曲亭马琴读本序跋与李渔戏曲小说论
6.Application of "Zhezixi" to Multi-media Instruction of Chinese Ancient Drama Curriculum折子戏与戏曲相关课程的多媒体教学
7.Inheritable Relation between the Japanese Traditional Operas and the China s Folk Customs and Explanation of Applied Stereoscopic Coordinate Method;日本传统戏曲与中国民俗艺能之继承关系与应用立体坐标法解释
8.On Experience and Performance--the Basic Principles of Roles" Creation by Opera Actors讲究体验 强调表现——戏曲演员创造角色的基本原则
9.The Soul of Chinese Traditional Opera--A discussion on the general effects of classical culture on Chinese traditional opera;戏曲之魂——论元典文化对戏曲艺术的总体影响
10.The "Negation of Negation" of the Definition of Music form in Chinese Opera Singing;中国戏曲唱腔曲体界定的“否定之否定”
11.On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;试论戏曲唱腔的“集曲板式变化体”
12.The theme representing the music-drama is the same as the content of the dramas basically.民间美术反映戏曲的主题与戏曲的内容基本上是一致的。
13.Two Levels of the Xiqu Opera Spreading--On the Basic and Extended Spreading of the Xiqu Opera;戏曲传播的两个层次——论戏曲的本位传播和延伸传播
14.Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic;从民国前后古代戏曲文本的印行看戏曲观念之变迁
15.Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
16.The Dramatic Literature of the Ming and Qing Dynasties in Gansu Province;甘肃明清戏曲抄本初鉴兼论甘肃戏曲文化背景的历史成因
17.Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;明代戏曲音乐创作之民间性本质研究
18.The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;《明刊闽南戏曲弦管选本三种》用韵研究
相关短句/例句
traditional opera artistic ontology戏曲艺术本体
3)Opera Ousia Study戏曲本体研究
4)Ousia Structure of Chinese Opera戏曲本体结构
5)opera anthologies戏曲选本
1.The Qing Dynasty saw the transformation of the traditionalopera anthologies,which showed the following characteristics:the retreat of the culture class—men of letters,the decline of Kunqiang anthologies accompanied with the flourish of local operas,and the regression of anthologies toward the performance of people.清代是古代戏曲选本发展的转型时期,主要有三个特征：文人文化层的退场、昆腔选本的衰变和花部诸腔选本的崛起,体现了戏曲选本向民间立场的回归。
6)dramatic scriptures戏曲抄本
延伸阅读
本体论本体论ontology哲学术语。在西方哲学中，指关于存在及其本质和规律的学说。“本体”一词源于拉丁文on（存在、有、是）和ontos（存在物）。17世纪德国经院学者第一次使用本体论一词，并将它解释为形而上学的同义语。在中国古代哲学中，本体论称为本根论，指探究天地万物产生、存在、发展变化根本原因和根本依据的学说。
